Wednesday, 6 February 2013

Saint Laurent Paris / Winter 2013 #Menswear

Hello Blogosphere! DylanInTheCity is in the heartbeat of it all - right here in Manhattan, New York this week! Our flight was smooth and quick from the epicenter of Toronto, and we couldn't be more excited for our stay in Gotham. Exploring Manhattan has been a treat so far, and there are hundreds of spots I have yet to discover. Keep it locked right here for Fashion events I may find myself in (as well as Heather Lawton's highly anticipated Fall/Winter 2013 showcase) and keep it locked to my sister-site, DylanInTheWorld, for some of my personal experiences within this fantastic, enigmatic, and majestic city.

Now! Before I become starstruck by my own realization that I'm sitting in a fabulous little suite in Manhattan; let's talk Fashion! The savior himself, Hedi Slimane, recently presented Saint Laurent Paris' fantastic and daring Fall/Winter 2013 Collection at Paris Fashion Week. The minute I laid my eyes on this Collection  I absolutely lost it - I'm obsessed and oh so thankful! Slimane really is the new re-interpretation of YSL and the core of his dream; newness. Slimane is presenting a freshness for men much like Yves himself did for women, in a sense. Androgyny, over-sized shapes, femininity and obtusely carved forms dominate Slimane's showcase for Saint Laurent Paris. Billowing scarves, ripped denim of a 90's era boy, and Gotham-esque capes solidify an aesthetic that is not only urban and daring, but uniquely feminine. Androgyny with a sting of strength and boldness; Slimane's aesthetic carries serious power; it's a very strong identity and extremely characteristic - I couldn't help but fall totally in love with it. I've spoken about how I feel about androgyny in Fashion before, and how important I think it is. It's wonderful to see Slimane, the creative leader behind one of the most iconic High Fashion Houses in the World, take that idea, that ideaology, and push it.












A brilliant presentation. I want everything. Thank you for redefining YSL into something neoteric yet again Mr. Slimane!

D

Saturday, 2 February 2013

New York City with Heather Lawton / #FashionWeek

Where have I been?! Well, many places, doing many things! I apologize for my slight absence. Regardless, Fashion hasn't escaped my eye and I am absolutely loving some of the fantastic things I'm seeing for Fall/Winter 2013 from all over the Fashion Circuit. I simply cannot wait to see what some of the best talent in this country will have to offer come our very own Toronto Fashion Week in March.

I've been incredibly busy working on a number of freelance projects this year! 2013 began rapidly with some great opportunities for magazine spreads, published editorials, and new artist collaborations! February has only just arrived and I think I've already planned out most of my freelance hours through until the end of the Spring. I'm so excited to share with everyone the fruit of all our work; all of which will, in due time, appear right here on DylanInTheCity. Working with different artists, enthusiasts, and even designers has been an ongoing, growing process for me; I'm so thankful to able to share creativity with people who embody the very essence of it. It really is a magical thing.

Incredible Photo by © Steve Kelley

What's the latest? Why, New York of course! She does look lovely. I'm sure you remember the last Fashion Film I helped produce and participate in with powerhouse Directors Jossyl Bacalla and Toni Francis for JUMA last year. Well! We have a new direction. The team and I are partnering with Heather Lawton, a fresh and dynamic NY-based designer that's relatively new to the Fashion stage, to produce a short Mood Film to embody the energy of her aesthetic. As a result, I will be in town for New York Fashion Week (!!!) this year, as well as a guest at Heather Lawton's Fall 2013 show in Chelsea.

I couldn't be more excited for not only NYC but the chance to meet and build a rapport with Heather, who is essentially my first New York connection. Her taste is minimalist but bold, and she often plays with unique, graphic shapes in her pieces while maintaining a simplistic, chic tonal palette. The girls and I are planning some vibrant and intense visual ideas for this film, and we couldn't be more thrilled to be collaborating with a designer of Lawton's skill and potential. New York used to be just a photo on my wall, as I used to say, and Toronto used to be larger than life itself. It's amazing, the places we've come from and the places we go. For the first time I'm not just going to New York for New York - I'm going to New York for Fashion. Fashion takes me there.

I'll be flying to New York City next week and will be updating you all on my adventures in the city! Both on the Runway and off, so be sure you're tuned into my network to see everything first hand - from our meeting with Heather Lawton to Bryant Park to the streets of Midtown. Share it with me.

Vine / @TheDylanDias

From Toronto to NY,
D

Friday, 1 February 2013

#Obsessed with VALENTINO

Haute Couture, Spring/Summer 2013.
There are few other Houses that can evoke such sublime, epic beauty with such elegance, grace, and technical mastery. And that RED. Shoot me, Valentino must be a gateway to Heaven.

Thursday, 24 January 2013

3.1 Phillip Lim / Fall 2013 Menswear

One of my favourite modern designers shines even brighter this Season with his slick, textured, and urban Fall 2013 Menswear Collection at Paris Fashion Week.

Epic, which has easily become synonymous with the brilliant Phillip Lim himself, is all I can say about this fantastic presentation. The rich, black, glossy, over-sized knitwear(esque?) pieces are my absolute obsession this Season! I absolutely love the idea of using a traditionally chic medium, like Leather, and using it to create super modern, ultra trendy pieces that are beyond the traditional, classic silhouettes they are normally associated with. The black on black on black is fierce! The blocked pants, both in colour and texture, are so hot it drives me nuts! The entire aesthetic is so high quality but so effortless and urban at the same time; it's almost like Street Style meets High Fashion with en edge of vintage revolt.













Phillip Lim's Fall 2013 Menswear Collection presents a dark, androgynous, and sexy aesthetic that is ultra mod in a youthful light; futuristic Menswear on the streets of an artistic, cosmopolitan hub. Everything about it is totally on-point that I wish I could own a single piece of every outfit presented, from beginning to end. Best!

D

Testing With Elite / #OnSet

Here are some fantastic captures from a recent shoot I did with talented photographer Allysa Hollywood and Makeup Artist/YouTube Celebrity Geneva Fong. We did a test for ELITE with some fantastic, fresh talent - Blair Lee, Carly M., and Franco. Would love to work with this team in the future again.












As always, keep up-to-date on my latest Fashion projects, shoots, and collaborations through Instagram, Twitter, and Facebook.

D

Monday, 21 January 2013

The New Wave / Androgyny & Fashion

Androgyny in Fashion has been a re-occurring theme over decades of Fashion Runway and Editorial. But lately androgyny has been taking on a new power; bleeding into the streets, bleeding into the media, and exposing a new aesthetic to a world that is evolving exponentially on a social level. However, with social evolution comes social rebellion; there is always dark where there is light, and a lot of grey in the middle. What does androgyny signify, and how does it affect the identities we've chosen to adopt? I've recently had a few discussions over the matter with other influencers in the Fashion Industry; many of which had a lot to say about androgyny in Fashion, specifically male androgyny, which is something I feel very strongly about, and something I'd like to focus on for a variety of reasons.

I've showcased gender-bending Fashion in the past, but there is an enormous difference between androgynous artists and androgynous designers. Artists are typically one-offs; vivid and unforgettable, revolutionary in their own way, and massively individual. Designers are different; they hold the key to our views of gender in society, because they affect the clothes we put on - what we choose to define as feminine or masculine (dependent on how we choose to represent ourselves). That being said, there is a very powerful shift once designers start to introduce characteristically feminine cuts, and even staples, to the masculine wardrobe. All of a sudden we're presented with a new idea; the new man. A man who's masculinity becomes more of an expression of confidence than a need to be regarded as masculine by his peers; or perhaps it's the negation of masculinity as a definition of power. And that true power is the confident assertion of one self, regardless of masculine or feminine principles. There is a lot we can talk about here, I'm just presenting some different notions to get people thinking about the significance Fashion like this can mean.

I'm an enormous enthusiast of individual power and the stretching and breaking of our gender-based roles and views. Growing up in my own way, faced with my own sexual journey and identity, I began to realize how insignificant the roles we are given truly are; and yet how desperately so many of us still cling to them. I grew up entranced with fascinating people who, even if in very small ways, broke those social laws. Powerful woman, colourful men, and everything in between.



I recently got into a little bit of a tiff with someone who thought differently, albeit not in a hateful way. I by no means mean to imply that preferring gender being so hard-laced is hateful; I think it has a lot more to do with comfort. Some of these friends were making comments in mockery; claiming that Menswear looking like this is "silly" or "wrong." That the attractiveness of the male isn't synonymous with femininity, and that it's "embarrassing." Whereas women, the prime focus of the evolution of Fashion in all of history, have been adorned countless times in men's shapes and men's clothes, an artistic embrace of androgyny - initially controversial but incredibly celebrated; vastly different to the perception of male androgyny. But personal preference aside, I think we should be looking at this shift with different eyes. I don't think people realize that when they use words like "embarrassing" and "wrong", they are putting out that energy, that idea, that looking feminine is somehow weak, less powerful, and distasteful. All of a sudden the loss of masculinity becomes this terrible, hard-edged thing: "A man shouldn't look like that." The pseudo-principle itself gives me a headache. It's terrible to put such an idea into a person's head; that they aren't desirable as a human being if they don't represent their gender in the way that a "gender" should be represented. But based on what? The hetero-normative social roles we've adopted as ultimate truth in society? That boys wear blue and girls wear pink? When you dumb it down to it's simplest, primal level, it's the same thing. 

I've never attributed the definition of what it means to be a man with anything physical, and I think it's a little deplorable that we continue to adopt that mindset so strongly. Being a man shouldn't be a measurement of wealth, clothing, lifestyle, or sexual prowess (predominantly hetero-normative). It should be a measure of confidant identity, mutual respect, and love - much the same as what it should mean to be a woman. It means being the human that you are, in totality, and being a good person. Some of the greatest men I've come to know about have been men that have shattered that old notion entirely, and the same can be said for some incredible women.



People like to think that certain shapes are more feminine than others and certain shapes are more masculine than others. I think this has a lot more to do with conditioning. From the moment we are brought into the society we live in, we are bombarded with messages of what it means to be a man and what it means to be a woman. We have instilled in our hearts and our brains that a man is expected to look a certain way or wear certain colours; and this is not to say that there aren't exceptions of course. The common term "Metro" is an example of this, and how society has labelled the man that isn't the man we're used to (which is a word I hate to say by the way). I propose getting rid of all of that completely. We put limitations, names, and labels on ourselves, on our world, so it's more comfortable and easier to understand. But if we rid ourselves of this fear of the uncertain; that something different isn't necessarily something negative, we'd be a lot more receptive to the true variance and diversity of human identity, and  a lot more receptive to the ways we can choose to represent ourselves.

Feminine shapes can be liberating and powerful new ways to represent the beauty of men in Fashion. And I really want to stress that this in no way is meant to downplay or negate classic Fashion. I don't propose the redefinition of gender in Fashion as a replacement to classic feminine shapes and classic masculine forms - this can never be done. The classic male will always be associated with one shape, as will the classic woman, and there is nothing wrong with that! Beauty is beauty, in the end, and beauty is based on intelligent composition. All I mean to say is that I think we should be more open-minded to the mix of gender in Fashion, and conversely, in ourselves! Society has evolved drastically in just the last few years; and we are raising sexual social issues that we never have before, and finally seeing why they are so significant! True identity isn't based on physical gender, it's based on whom ONE chooses to BE. Gender doesn't just mean the gender you are physically, it also means the gender you are in your heart and the gender you are in your head. And when we get rid of that word entirely, it will only mean the PERSON you are, which is undoubtedly the only part that really matters.



I believe we should embrace the wave of androgyny, it is shedding a new light for so many who have been in the dark for so long. You don't have to be a part of it, we are who we are; but that doesn't mean you shouldn't support other people's right to be whom they are in any way they choose. Clothing is important, Fashion is significant. It is a reflection of the world and at the same time has the power to change it. As enthusiasts, bloggers, designers, artists, influencers, and new youth; we have an obligation to spearhead that movement! Be the change you want to see.

D

Friday, 18 January 2013

Alexander Wang doing Alexander Wang / Pre-Fall 2013

Alexander Wang, one of my ultimate Fashion idols and the recently appointed creative head of Balenciaga, just released his own Pre-Fall Collection for the 2013 Season. Masterfully composed of bulky knits, slickly-cut coats, and beautifully draped monochromatics in rich, tundra greys and crisp whites (in a way only Wang could do), the Collection is a brooding and sophisticated departure from the otherworldliness of Wang's typical aesthetic.




I love Wang's unique ability to play with youthful athletics in such a crisp way; adding really interesting textural elements in subtle ways that become bold when it pops away from all the minimalism. The slight drape over the collarbone, the blocked shoulders, the powdery, dusted sport coats, and the asymmetrical zipper. It's an edge that evokes an air of ultimate chic at the same time; something I absolutely love seeing in Fashion. The pieces are ideal for that spark of coolness that hits just before your Autumn coat needs to come out, and is the perfect Collection for the inner-city woman both professional and artistic. It's divine, and all I can say is that I really wish I could wear that sleeveless military coat!





D

Insta-Dylan / @TheDylanDias

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